Eco-Consciousness and Human-Nature Relations in Contemporary British Drama: An Ecocritical Study of Selected Plays

Authors

  • Ayu Melati Ningsih Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia
  • Vera Kristiana Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia
  • Dewi Nurmala Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia
  • Risnawaty Risnawaty Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia

DOI:

https://doi.org/10.31849/pbwkdn65

Keywords:

Eco-consciousness, Ecocriticism, Contemporary British drama, Human-nature relations, Environmental ethics

Abstract

Environmental crisis has become a lived condition that reshapes cultural imagination, ethical reasoning, and everyday language about the more-than-human world. Despite the rapid growth of ecocriticism, contemporary British drama remains comparatively underexamined, since existing work often prioritizes novels and climate fiction or focuses narrowly on theatrical performativity and environmental symbolism rather than the textual construction of eco-consciousness across multiple plays. To address this gap, this qualitative descriptive study investigates how eco-consciousness and human nature relations are articulated in three contemporary British plays, Colder Than Here by Laura Wade, Greenland by Moira Buffini et al., and Earthquakes in London by Mike Bartlett, focusing on how dramatic texts construct eco-consciousness and human–nature relations. Methodologically, the research employs qualitative close reading and systematic coding of dialogues, monologues, stage directions, and setting descriptions, guided primarily by Garrard’s ecocritical concepts and informed by Buell’s environmental criticism. The findings reveal convergent patterns across the corpus: anthropocentric ideology is normalized through everyday language that frames nature as a resource for development; ecological awareness and environmental ethics surface through characters’ moral reasoning, grief, and responsibility narratives; and human–nature interconnectedness is dramatized as an affective and social condition in which ecological loss disrupts relationships, well-being, and imagined futures. By combining comparison with close textual evidence, the study offers an original contribution to ecocriticism and contemporary drama studies, demonstrating how British theatre provides a distinctive cultural arena for articulating ecological anxiety, ethical deliberation, and sustainability discourse within the wider environmental humanities.

Author Biographies

  • Ayu Melati Ningsih, Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia

    Ayu Melati Ningsih is a senior researcher and lecturer at the Faculty of Letters, Universitas Muslim Nusantara Al-Washliyah. She earned a bachelor’s degree in Education and completed her master’s studies in English Literature and English Language Education. Her academic interests focus on English Language Teaching (ELT), English literature, and educational technology. Her research explores language learning, digital pedagogy, literary criticism, ecocriticism, and human–nature relations in contemporary literary works. She is particularly interested in integrating technology into English language learning to support critical thinking and student engagement. In literary studies, her work emphasizes contemporary British literature and eco-consciousness in drama and fiction.

  • Vera Kristiana, Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia

    Vera Kristiana is a researcher and senior lecturer at the Faculty of Literature, Universitas Muslim Nusantara Al-Washliyah. Her research interests include English language education, educational technology, and the integration of digital tools in language pedagogy. She is particularly interested in how technology-enhanced learning environments shape classroom interaction and how digital platforms can be utilized to improve language learning practices in contemporary educational contexts.

  • Dewi Nurmala, Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia

    Dewi Nurmala is a PhD student with a research focus on linguistic landscape studies. Her academic interest in this field examines the use of language in public spaces, including signs, advertisements, public notices, and multilingual representations in social and cultural environments. Her research particularly explores how language reflects identity, power relations, culture, and social interaction within multilingual communities. She is also interested in the relationship between linguistic landscape, globalization, education, and digital communication in contemporary society.

  • Risnawaty Risnawaty, Universitas Muslim Nusantara Al-Washliyah, Medan, Indonesia

    Prof. Dr. Risnawaty is a professor in the field of linguistics whose academic interests focus on applied linguistics, sociolinguistics, discourse analysis, and English language education. Her research explores language use in social and educational contexts, particularly the relationship between language, culture, communication, and pedagogy. She has contributed extensively to studies on language learning, linguistic analysis, and contemporary issues in English education. In addition to her scholarly publications, she has actively participated in academic research, conferences, and higher education development related to linguistics and English language studies.

References

Albrecht, G. (2011). Chronic environmental change: Emerging “psychoterratic” syndromes. In I. Weissbecker (Ed.), Climate change and human well-being: Global challenges and opportunities (pp. 43–56). Springer. https://doi.org/10.1007/978-1-4419-9742-5_3

Andrianova, A. (2022). Mavka as willow: An ecofeminist analysis of Lesja Ukrajinka’s Forest Song. Studi Slavistici, 18(2), 225–240. https://doi.org/10.36253/Studi_Slavis-9047

Arianto, B., Sayuti, S. A., & Efendi, A. (2021). A study of ecocriticism on the representations of ecological conditions in Rawa Gambut. Studies in English Language and Education, 8(3), 1267–1284. https://doi.org/10.24815/siele.v8i3.19816

Arons, W., & May, T. J. (2012). Readings in performance and ecology. Springer. https://doi.org/10.1057/9781137011695

Bartlett, M. (2010). Earthquakes in London. Methuen Drama.

Bdier, D., Veronese, G., & Mahamid, F. (2024). Environmental degradation, eco-anxiety and post-traumatic stress symptoms among Palestinian adults: The mediating role of coping strategies. Cambridge Prisms: Global Mental Health, 11, Article e50. https://doi.org/10.1017/gmh.2024.40

Beck, U. (1992). Risk society: Towards a new modernity (M. Ritter, Trans.). SAGE Publications. (Original work published 1986)

Buell, L. (2005). The future of environmental criticism: Environmental crisis and literary imagination. John Wiley & Sons.

Buffini, M., Kirkwood, M., & Weiss, M. (2011). Greenland. Methuen Drama.

Chaudhuri, U., & Enelow, S. (2015). Research theatre, climate change, and the ecocide project: a casebook. Springer. https://doi.org/10.1057/9781137396624

Chaudhuri, U., & Enelow, S. (Eds.). (2015). Theatre and climate change. Methuen Drama.

Clark, T. (2011). The Cambridge introduction to literature and the environment. Cambridge University Press.

Clark, T. (2015). Ecocriticism on the edge: The Anthropocene as a threshold concept. Bloomsbury Academic.

Clayton, S. (2020). Climate anxiety: Psychological responses to climate change. Journal of Anxiety Disorders, 74, 102263. https://doi.org/10.1016/j.janxdis.2020.102263

Clayton, S., & Karazsia, B. T. (2020). Development and validation of a measure of climate change anxiety. Journal of Environmental Psychology, 69, 101434. https://doi.org/10.1016/j.jenvp.2020.101434

Er, S., Ali, M. M. M., & Buzlu, S. (2025). Unravelling solastalgia’s impact on mental health: Implications for nurses on the front line. Evidence-Based Nursing, 28(3), 87–88. https://doi.org/10.1136/ebnurs-2024-104266

Garrard, G. (2012). 11 Ecocriticism. Year’s Work in Critical and Cultural Theory, 20(1), 200–243. https://doi.org/10.1093/ywcct/mbs011

Glotfelty, C., & Fromm, H. (1996). The ecocriticism reader: Landmarks in literary ecology. University of Georgia Press.

Gray, D. J. (2020). “Command these elements to silence”: Ecocriticism and The Tempest. Literature Compass, 17(3–4), Article e12566. https://doi.org/10.1111/lic3.12566

Hassall, L. (2021). Performance and climate change: Evoking theatrical landscapes to investigate climate change. Performance of the Real, 2, 24–31. https://doi.org/10.21428/b54437e2.54cd51a5

Heise, U. K. (2008). Sense of place and sense of planet: The environmental imagination of the global. Oxford University Press.

Heise, U. K. (2016). Imagining extinction: The cultural meanings of endangered species. University of Chicago Press.

Hulme, M. (2009). Why we disagree about climate change: Understanding controversy, inaction and opportunity. Cambridge University Press.

Ikiz, B., & Carlson, J. M. (2025). Neural pathways to resilience: Leveraging neuroscience to understand and mitigate eco-anxiety. Annals of the New York Academy of Sciences, 1547(1), 18–23. https://doi.org/10.1111/nyas.15347

Kershaw, B. (2007). Theatre ecology: Environments and performance events. Cambridge University Press.

Lorek-Jezińska, E. (2025). Ecological imagination, grieving and time in Extinct (2021) by April De Angelis and The Trials (2022) by Dawn King. Orbis Litterarum, 81(1), 27–40. https://doi.org/10.1111/oli.70008

Middeke, M., & Riedelsheimer, M. (2022). Co-mutability, nodes, and the mesh: Critical theatre ecologies—An introduction. Journal of Contemporary Drama in English, 10(1), 2–25. https://doi.org/10.1515/jcde-2022-0002

Morton, T. (2013). Hyperobjects: Philosophy and ecology after the end of the world. University of Minnesota Press.

Nixon, R. (2011). Slow violence and the environmentalism of the poor. Harvard University Press. https://doi.org/10.4159/harvard.9780674061194

Nyatuame, P. N. (2021). An ecocritical reading of Victor Yankah’s The Pretty Trees of Gakwana and Sikaman. Asεmka: A Bilingual Literary Journal of University of Cape Coast, 11, 18–33. https://doi.org/10.47963/asmka.vi11.432

Park, J. (2025). Staging the entangled human–natural–technological worlds in Jungle Book Reimagined. Theatre Survey, 66(3), 345–362. https://doi.org/10.1017/S0040557425100641

Pihkala, P. (2020). Anxiety and the ecological crisis: An analysis of eco-anxiety and climate anxiety. Sustainability, 12(19), 7836. https://doi.org/10.3390/su12197836

Ray, S. J. (2020). A field guide to climate anxiety: How to keep your cool on a warming planet. University of California Press. https://doi.org/10.2307/j.ctvw1d67m

Slovic, S. (2010). Going away to think: Engagement, retreat, and ecocritical responsibility. University of Nevada Press.

Trexler, A. (2015). Anthropocene fictions: The novel in a time of climate change. University of Virginia Press.

Vetri, V. (2025). Language, nature, and the framing of death: An ecostylistic analysis of Laura Wade’s Colder Than Here. Language and Literature, 34(1), 50–67. https://doi.org/10.1177/09639470241299710

Volkmann, L., & Fraunhofer, H. (2023). Environmental literacy, sustainable education and posthumanist pedagogy: Teaching the climate crisis in a global, transatlantic online setting. International Journal of Development Education and Global Learning, 15(2), 87–102. https://doi.org/10.14324/IJDEGL.15.2.02

Wade, L. (2005). Colder than here. Oberon Books.

Watson, A. (2022). Contemporary catastrophes: 2010s British climate crisis theatre and performativity. Contemporary Theatre Review, 32(2), 140–161. https://doi.org/10.1080/10486801.2022.2047035

Weik von Mossner, A. (2017). Affective ecologies: Empathy, emotion, and environmental narrative. The Ohio State University Press.

Zapf, H. (2016). Literature as cultural ecology: Sustainable texts. Bloomsbury Academic.

Zhao, M., & Geng, J. (2024). What can translation do for the endangered earth? An overview of ecocritical translation studies. TRAMES: Journal of the Humanities and Social Sciences, 28(1), 37–51. https://doi.org/10.3176/tr.2024.1.03

Downloads

Published

2026-06-30

How to Cite

Eco-Consciousness and Human-Nature Relations in Contemporary British Drama: An Ecocritical Study of Selected Plays. (2026). Elsya : Journal of English Language Studies, 8(2), 123-136. https://doi.org/10.31849/pbwkdn65